arquebus_x

This is how we ended up with Q and anti-vaxxers.

It also has a 1v1 mode (player vs computer or PvP) that is just fantastic. I actually spent most of my time playing the 1v1 mode way back in the day.

“I lost a brother once. I was lucky. I got him back.”

“I thought you said men like us don’t have families.”

“I was wrong.”

I’ve been an Apple fanboy for years, too, and I still am. The alternatives aren’t exactly better. And anyone who is surprised that Apple is dragging its heels and trying to do the bare minimum to comply, well, get back to me when you’re no longer twelve. Companies aren’t your friends, even when they look like they are. Hell, Google’s sudden about-face regarding Right to Repair is 100% intended to fuck over Apple. It’s not about the consumer, it’s about the money. Always, with every company, every time.

Developers want alternate app stores because they want to make/keep more money. There’s no other reason. Every other reason given just comes back to more money. Is that a more valid argument simply because they’re smaller?

I’m in favor of Apple opening up iOS to alternate stores. I think it’s going to be a privacy and security nightmare, but the horse is pretty much already out of the barn and the barn is burning, so… whatever. But I’m not so naive to think Apple’s going to fully embrace the ideal concept of alternate stores unless somehow it’s a way to beat Google’s or Samsung’s face in, and take their money.

Even if risks are under-reported (plausible, but unlikely, given the amount of scrutiny), it’s definitely the case that the risks from getting COVID are still not fully understood. Long COVID is a major issue that is still under investigation. So by your own metric - “highly reluctant to try the new possibly risky thing” - the vaccine is important. Because “the new possibly risky thing” in this case is getting COVID. You definitely don’t want to “try” that.

It’s about the same as everywhere else. The most fun I have on any social media platform these days is blocking assholes.

Ever try a hot cola?

I once drank a Coke that had been sitting in my car console for a day during the summer.

It was a revelation.

What it comes down to there is whether the act of selection is an act of art. If there is no skill other than picking, I’m not sure I’d consider it an artistic act. (For similar reasons I’m very much on the fence about a lot of modern art.)

Star Wars, drive-in, 1977. I was 4.

Jesus Christ that NYT article has so many weasel words in it. “Seen as”, “appear to be,” blah blah blah. I hate the NYT.

Duct. Duck is a brand name

Yes. But also mostly no.

Wikipedia:

“Duck tape” is recorded in the Oxford English Dictionary as having been in use since 1899 and “duct tape” (described as “perhaps an alteration of earlier duck tape”) since 1965

and:

In 1971, Jack Kahl bought the Anderson firm and renamed it Manco. In 1975, Kahl rebranded the duct tape made by his company. Because the previously used generic term “duck tape” had fallen out of use, he was able to trademark the brand “Duck Tape” and market his product complete with a yellow cartoon duck logo. Manco chose the term “Duck”, the tape’s original name, as “a play on the fact that people often refer to duct tape as ‘duck tape’”, and as a marketing differentiation to stand out against other sellers of duct tape.

People should really do the bare minimum double-check before showing their whole ass.

As others have noted, “duct tape” is the last thing you want to use on ducts. Better to actually call it “duck tape,” as it was for the first 65 years of its existence.

Small being the operative word. Gunshot explosions don’t have enough energy to break glass in most circumstances.

You probably already know this, but there’s a free open source version of all three original games, plus others:

https://alephone.lhowon.org/

I’m much more interested in the original games, which are now available for free as Aleph One.

https://alephone.lhowon.org/

It’s fish and children, isn’t it?

Welcome back to the 1980s!

Bots aren’t a “problem” for Twitter unless the advertisers think there are more of them than there are real users. But if you can convince advertisers that you’re reducing bots, while also not actually reducing bots, you’ve got a winning formula. Bots are reliable posters, they contribute a lot more than a regular user, and they make high-engagement tweets/posts/tweex that end up getting a lot of views, aka advertising opportunities.

In other words the idea might have the opposite effect - keeping potential new human users out, but allowing the bots in

The galaxy brain shit here is that I suspect the bot problem actually doesn’t concern Musk in the way he claims. If he can make it seem like there are fewer bots (because of these policies) while at the same time not actually getting rid of them, the engagement level stays up and the advertisers are happy in their ignorance. Bots are better users: they’re not fickle, they don’t go to sleep, they can be reliably expected to be posting more regularly than normal users. The trick for Musk is convincing everyone they’re gone.

Stick with “American” because not only is it partially accurate geographically, it’s completely accurate in terms of how self-centered we are as a nation as to think we’re the only ones who count.

@JohnnyCanuck is right in a bunch of important ways, but there is one additional factor to consider. The reason the Hollywood guild system works the way it does is because no one is contracted to any given studio. It used to be that actors and writers were required to have locked-in contracts - they couldn’t work for anyone else - but that hasn’t been true for a long time. (There are exceptions: writers and actors can choose to have multi-picture/script deals, in exchange for an up front wad of cash, but it’s not the norm outside of the really heavy hitters.)

A standard union protects a worker’s existing job, and helps that worker negotiate terms for an existing job.

A Hollywood guild protects a worker’s future jobs - because the one they have now will absolutely not be the one they have in 2 years, a year, maybe even in 6 months. This is the nature of the Minimum Basic Agreement (MBA): it dictates minimum terms of employment. It’s not designed to give writers/actors the best deal, it’s designed to give them the least shitty deal the studios will agree to.

Why does this matter?

It matters because what most people think of as “Hollywood” is all the extremely pretty, extremely powerful, extremely prolific actors and writers who make lots of money and show up on magazine covers and in media podcasts. (No writer is showing up on a magazine, I don’t care how pretty he is.) But the MBA is there for the day players, the low rung people, the staff writers, the gal who had one spec script produced in her career so far.

What the WGA managed to achieve recently with its negotiations is an absolutely phenomenal success. But it still only really impacts the MBA - the minimum basic agreement!

So… uh… why does this fucking matter?

The game industry doesn’t really have superstars. It doesn’t have the equivalent of Tom Cruise and John August. At least not at scale. And the ones who are that shiny are usually studio heads or creative directors, not “employees.” So they wouldn’t be covered by a union anyway (which cannot apply to managers - i.e. anyone who has authority over other workers).

Suggesting that the game industry adopt the Hollywood guild model is to suggest forcing a pear into a box shaped like an apple. The MBA protects low level employees in their future employment, and isn’t really all that great - at least not the way most non-insiders think. It still results in a ridiculous number of workers making poverty wages.

Is that what you want a game voice actor to have? A minimum basic agreement for their future employment? A programmer? A graphic designer?

No. You want them to be in a union.[1] Which will protect their current jobs and create conditions for advancement, sufficient income at the lowest tiers and long term stability. None of which the Hollywood guilds really do.

[1] The distinction between a union and a guild isn’t a “real” one in modern U.S. law, strictly speaking. But conceptually, as above, a union is for people in regular employment with a single employer, and a guild is for (effectively) contract workers. The terminology of “guild” came from the older, pre-industrial idea of “the X workers guild” (masonry, carpentry, bricklaying, etc.), which were really just social organizations that sorta kinda acquired enough power to flex their muscles against the people who were contracting them by having minimum demands in solidarity within the guild (does that sound familiar…?). Guilds eventually “became” unions in the modern sense, once people were working with single employers over a long term. Put simply (and a bit stupidly), unions make contracts between workers and companies; guilds make contracts between workers and their industry. Part of the reason gig workers (Uber/Lyft/etc.) in California have been more active about getting better terms is because that state is super familiar with how guilds work, which is exactly what gig workers need, since their employment is with the industry as a whole (they can work for more than one company), not so much with a specific company. (It’s also why they’re having a much harder time - because California employers are super familiar with all the shenanigans Hollywood studios use to suppress the guilds that feed into them.)